![]() ![]() The re-created element can be a nearly exact replica or just vaguely similar. If a deal can't be reached, or the sound of the original recording isn't quite right, the musician can re-record an element of the song she loves, say a little snippet of melody or a particular drum pattern. ![]() (You can trace our current understanding of the copyright laws around sampling to a 1991 suit by Gilbert O'Sullivan against Biz Markie for the use of O'Sullivan's "Alone Again (Naturally)" in Biz's song "Alone Again.") Releasing the new song requires the permission of whoever owns the original recording and, often, a financial agreement. If a musician takes a song she loves and incorporates all or part of the actual recording into a new song, that's sampling. Sometimes intellectual property laws are involved. This got us thinking about the different ways musicians act as mimics. "This is part of the art of pop."īut not all borrowing is equal. People have claimed the right to songs in the public domain," Ann says. "Songwriters have borrowed from each other, played off each other. Today on All Things Considered, NPR's Neda Ulaby talks with NPR Music pop critic Ann Powers about the history of pop sound-alikes. 1 song in the country, Robin Thicke's "Blurred Lines," over its similarity to "Got to Give It Up," the 1977 hit by Marvin Gaye. Almost as soon as it hit the Internet, "Roar," the brand new smash by Katy Perry, was accused of sounding an awful lot like the recent song "Brave," by Sara Bareilles. ![]() Over the last couple of weeks, the sounds of pop's biggest hits have been distractingly familiar. The hook in Vanilla Ice's song "Ice Ice Baby" was based on a passage from "Under Pressure" by David Bowie and Queen, but the rapper denied the similarity at first. ![]()
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